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Mr. and Mrs. Bennet have five unmarried daughters, and Mrs. Bennet is especially eager to find suitable husbands for them. When the rich single gentlemen Mr. Bingley and Mr. Darcy come to live nearby, the Bennets have high hopes. But pride, prejudice, and misunderstandings all combine to complicate their relationships and to make happiness difficult.
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For me, most all films made during the golden age of Hollywood are excellent and compare more than favourably with modern films, but this version of Pride and Prejudice stands out as my favourite version of them all.
Let me say this. I love every film version of Jane Austen’s seminal work, Pride and Prejudice. It’s true that every version has its faults, but it is also true that every version has it’s triumphs as well.
The 1980 film series is perhaps most accurate. The costumes and demeanor seem most accurate pertaining to late Georgian/Regency England.
The 1995 miniseries is by far the most complete, containing just about every facet of the book. Also, Jennifer Ehle is most likely the finest Elizabeth. That distinction might have gone to Greer Garson had she worn a few kilos less Max Factor.
The 2005 Keira Knightly version is the most modern and in some ways the most romantic.
But for me, despite some glaring changes/omissions, the 1940 version starring Greer Garson and Laurence Olivier is still the best. Ms Garson, despite appearing too old for the part, is absolutely pitch perfect and well captures Elizabeth’s humorous nature. In fact, humor is likely this versions strength. Because Pride and Prejudice above all is a humorous look at Regency England and the lifestyle of the middle classes in England at that time, most particularly the Bennet household.
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Laurence Oliver, the greatest stage actor of the last century or two, and one of the greatest actors who ever lived, is wonderful as Mr. Darcy, if perhaps a tad too arch at times. Portraying a Regency snob is fraught with little traps and unfortunately, Lord Oliver does trip a few times and comes across as a bit prissy. But he is not alone, most other actors attempting Mr. Darcy end up looking a bit fey from time to time as well.
David Rintoul, who, in the 1980 version, gives probably the most accurate depiction of Mr. Darcy of them all, is positively cringeworthy from time to time he is almost lady-boy.
The only two actors who never seem effeminate in any way in the role of Mr. Darcy, Colin Firth and Matthew MacFadyen, both seem wooden at times, although I love them both in the role. In fact, although I find Matthew the sexiest Mr. Darcy and David Rintoul the most accurate, overall it is probably a tie between Laurence Olivier and Colin Firth with Colin Firth leading by a nose. He has his faults, but the 1995 production is simply too good, and his Mr. Darcy too perfect to be ignored.
Say what you will about the superior attention to detail found in today’s versions of P&P, the 1940 version positively rocks with the absolute best ensemble work found in any version.
Mary Boland as Mrs Bennet captures her addle brained nature and slavish devotion to the marriage of her daughters in fine style and with a silliness not found in any other film version.
Edna May Oliver is the quintessential Lady Catherine De Bourgh. I really do not care that the part was slightly rewritten to make her less hateful. The most telling feature of Mrs. De Bourgh’s character should be that she is silly, and Ms Oliver captures that with aplomb. Further, Lady Catherine was first and foremost a powerhouse of a woman and that describes Edna May Oliver to a tee.
Frieda Inescort is the perfect Caroline Bingley, absolutely chock full of upper crust venom. Caroline is one of the few characters in the book who is not at all silly. She is and should be always the ice goddess, who is unfortunately, a fool who does not realize it. There has never been another Caroline Bingley to compare with Ms. Inescort.
Melville Cooper as the silliest character of them all, and perhaps the silliest character ever written, Mr. Collins, is hilarious.
Edmund Gwenn is wonderful as Father Bennet if not really English sounding at all.
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Also of note are Maureen O’Sullivan as the beautiful Jane Bennet, and several others The aforementioned actors were all stage trained and knew how to master a character. This skill truly makes of the ensemble cast in this version a thing of beauty. Oh well, they all are really.
There were some of the cast in the 1940 version who were a bit too vanilla for my taste, such as Bruce Lester as Mr. Bingley, and May Beatty as Mrs. Philips.
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This version of course takes liberties with the book, especially in substituting late Victorian fashion for Regency, and a few other things, but on the whole, I find it amazingly well written and well acted, and absolutely perfectly delineating the point of the novel.